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Crise de Foi – Annette Messager

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A naked body that refuses to hide. Hands raised in defiance. Slogans the colour of blood. The limited edition Crise de Foi by Annette Messager was created especially for Kunsthalle Praha on the occasion of the exhibition Annette Messager: Tragikomedie. Based on a work the artist made in response to protests for women’s right to abortion, it turns vulnerability into resolve. Limited edition of 50, Giclée print on Hahnemühle Agave paper, each signed by the artist, numbered and accompanied by a certificate of authenticity.

Detailed information

Product detailed description

The limited edition Crise de Foi is based on the work of the same name (Crise de foi, 2016), that Annette Messager created in response to Femen protests for women’s right to abortion. In the exhibition, it is presented as a part of the installation Wall of Uteruses, on which the artist brought together works responding to the public debate of the time.

The naked female body has traditionally been linked to vulnerability and the need to be covered. Messager gives it the opposite role. Her figure does not hide. She raises her arms, while slogans and banners in deep red spill across her skin. A delicately drawn line collides with the colour of blood. Fragility and strength, the body and political protest meet in a single gesture.

Even the title carries a double meaning. Crise de foi means a crisis of faith. Spoken aloud, however, it sounds exactly like crise de foie, the French expression for an upset stomach: something you simply can’t stomach, can’t swallow, can’t accept. Faith and resistance, soul and body, in a single phrase.

Such encounters of opposites are typical of Messager. She herself calls them “bad marriages”: unions of words, images and meanings that at first glance don’t belong together. In her work, humour and irony become a way into subjects that are anything but light.

The edition has been produced as a Giclée print on Hahnemühle Agave paper, which faithfully preserves the drawn character of the original work. Limited edition of 50, each print signed by the artist, numbered and accompanied by a certificate of authenticity. A powerful gesture that doesn’t end at the gallery door.

Artist Annette Messager
Artwork Crise de Foi
Exhibition Annette Messager: Tragikomedie
Place & year of completion Prague, 2026
Medium Giclée – a museum-quality digital fine art print made using 8 to 12 archival pigment-based inks
Paper Hahnemühle Agave, 290 gsm
Paper size 610 × 420 mm
Motif size 600 × 413 mm
Edition 50 pieces, each numbered, signed, with a certificate of authenticity

Annette Messager

Annette Messager (b. 1943) is one of the most important French artists working today. In 2005 she represented France at the 51st Venice Biennale, where she won the Golden Lion for best national pavilion. Her work has been shown at institutions including the Centre Pompidou, MoMA and the Hayward Gallery.

Since the 1970s she has combined drawing, photography, collage, objects and installation. Working with everyday materials, found objects and images of her own body, she has long explored femininity, gender, desire, memory and social expectations. She describes herself as a “thief of words.” Puns, humour and irony run through her work, so pieces that seem playful or poetic at first open up questions of the body, identity, power and social norms.

Additional parameters

Category: Limited editions
Weight: 4.1 kg
Artist: Annette Messager
Categories: giclée prints
Products: limited editions
Exhibition: Annette Messager: Tragikomedie

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Annette Messager (b. 1943) is one of the most important French artists working today. In 2005 she represented France at the 51st Venice Biennale, where she won the Golden Lion for best national pavilion. Her work has been shown at institutions including the Centre Pompidou, MoMA and the Hayward Gallery.

Since the 1970s she has combined drawing, photography, collage, objects and installation. Working with everyday materials, found objects and images of her own body, she has long explored femininity, gender, desire, memory and social expectations. She describes herself as a “thief of words.” Puns, humour and irony run through her work, so pieces that seem playful or poetic at first open up questions of the body, identity, power and social norms.